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NEWS
and MEDIA Coverage
Chicago
Tribune, October 2001
A look
few knew anything about until recently is coming to Chicago, and
it may be the look everyone wants. Designers, decorators and collectors
on the West Coast who thought they had seen it all are already wild
about the sleek blond wood pieces that are Early Modernist Swedish
furniture.
Andrew
Wilder introduced the West Coast to the genre in April 2000 through
Svenska Mobler ("Swedish Furniture"), his high-style Los
Angeles showroom specializing in Swedish furnishings from the era
spanning 1900 to 1940.
"This
is the best possible time to have introduced this furniture,"
says Wilder. "People are much more sophisticated about decorating
these days--an eclectic mixing of styles is what they're aiming
for. But it takes an exceptional eye to skillfully mix Traditional
and Modern, and this is where this furniture really comes into its
own. It is the perfect bridge between Traditional and Contemporary."
And
that's his market, he says--the person making a bridge between styles.
Alex
Jordan of Gregga Jordan Smieszny, an interior design firm here,
has placed a number of Wilder's Swedish Modernist pieces in his
clients' interiors.
"We've
used them in Modernist rooms in conjunction with contemporary upholstery,
and Chinese and Japanese antiques," says Jordan. "Whether
the pieces are Biedermeier Revival or the Swedish Modernist pieces,
they've very compatible with a lot of different cultures and styles."
"One
has to keep in mind that, at the time these pieces were produced,
the entire population of Sweden totaled 5 million. It was never
mass-produced. It's a rare commodity with great investment potential."
Antonio
da Motta, a designer at the prestigious Studio Sofield in Los Angeles,
has used pieces from Wilder's collection extensively in clients'
houses. He has found them to be "a very refreshing slice of
European Art Deco that is not easily found in Los Angeles. ... They
cover everything from Biedermeier to Midcentury, but there is continuity
in the aesthetic."
Asked
if he has early Swedish Modernist in his own home, Wilder says,
"I certainly do. It is so nice to live with. These are great
pieces to mix in an eclectic design scheme. They don't call too
much attention to themselves. They're really beautiful, without
being too specific or stylized. I've seen clients use this in so
many different kinds of settings, really the gamut."
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